Volume 3, Issue 8
| Geometric Canes
by Martha Aleo
|Editor's Letter | Letters to the Editor | Questions and Answers | Book Reviews | Le Pâte Polymère | Clayers With Disabilities | Geometric Canes | Face Canes: Eye Canes | Email Us! | Home||
Geometric canes consist of triangles, squares and other geometric
shapes which are cut and reassembled to produce
dynamic repeating patterns of shape and color.
The basic cane components are built using contrasting colors, Skinner blends, bits of old canes, and scrap clay. The components are then cut and reassembled in a variety of ways to produce an infinite number of patterns.
This technique incorporates principles used in Donna
Kato's Miracle Canes and the canes of Sara Shriver and
Sandra McCaw, and borrows from other techniques used to
make kaleidoscope canes and Natasha beads. All these
methods are related to one another and you can use them to
come up with your own unique designs.
Geometric Cane Basics
Cane components are assembled in groups of 3, 4, 6 and 8. Shapes can be triangles, trapezoids or squares. Sounding like you're back in the classroom with your math books? Well, don't worry, this is an easy project.
The geometric cane principle can be seen in
1. Use contrasting colors. If you want to know how colors will look next to one another in a cane, lay them next to one another on a table and look at them from a distance of about 12 feet. If the colors remain distinct, they will look good in your cane. If they do not, then try something else.
2. When assembling your components, keep in mind that the appearance of your cane will change depending on which side of the design is on the inside of the cane and which side is on the outside.
3. When assembling the components, they will all pretty much match up with each other. Your cane will look better, however, if you try to find the best, or "true" matches.
4. You can wrap your components in a contrasting clay or leave them unwrapped.
5. Skinner blends offer many possibilities for building your basic components.
6. Bits of old cane can be used by themselves or combined with solid colors or Skinner blends to make new canes. This is just taking the Natasha bead to another level.
Directions for Making the Cane
The following are directions for making a geometric cane based on a four-part design.
Make a Skinner blend cane. Start with a Skinner blend made of lime green and white. Roll up with the white on the inside and the green on the outside.
Slice the cane lengthwise into four pieces and sandwich layers of black clay (rolled on a medium pasta machine setting) in between.
Reassemble the pieces. Make a bull's eye cane out of black and white clay. Add another layer of black and another layer of white as shown.
Pinch the Skinner cane into an oval shape and place the bulls eye cane at one end.
Add blue and white striped canes. The layers should be rolled on the thickest pasta machine setting.
Add orange logs.
Make a Skinner blend with purple and white. Roll into a log with the white on the inside and the purple on the outside. Reduce; pinch into oval and triangle shapes, and place into cane assembly as indicated in picture.
Add Skinner blend cane made out of white and green. Note that this cane does not have black layers in it like the green Skinner cane in steps 1-3.
Roll a thin layer of black and add to the outside of the cane.
Add pale yellow as seen in photo.
Pinch the cane into a square shape.
Reduce the cane. When the cane is reduced to the size you want, cut it into four even lengths.
the Complex Geometric Cane
You can get two different canes from the same base depending on how you reassemble them.
| Here, you can
see a cane made with the big green Skinner blend log
pointed toward the center of the cane and the end with the
bull's eye pointed outward.
| This cane has
the bull's eyes pointed toward the center of the cane and
the big green Skinner blend log pointed outward. See how
different it looks?
| These pictures
show that the more you reduce your cane, the less distinct
the pattern becomes. Areas of high contrast show up more
than areas of lower contrast. The only way to predict what
will happen with the clay is to become more familiar with
it by making a few canes yourself and seeing what works.
Books and Articles
Flechsig, Natasha and Cynthia Tinapple, "The Magic Bead," Polyinformer, Vol. 5, No. 3 (April/May 1995) (It's on the CD)
Gillon, Edward Vincent, Jr., Geometric Design and Ornament, Dover Books, 1970
Jenner, Michael, Flip Designs, New York: Prestel Publishing Co. 2001
Kato, Donna, "Primitive Pendant, " Bead and Button. June, 2001 (maze cane)
Kato, Donna, "Learn to Make the Miracle Bead, Part I", Jewelry Crafts, January/February 1999
Kato, Donna, "Miracle Cane, Part II," Jewelry Crafts, March/April 1999
Kato, Donna, The Art of Polymer Clay, Watson-Guptill, 1997 (Tutorial on kaleidoscope canes)
McCaw, Sandra, "The McCaw Method," Polyinformer, Vol. 7 No. 1 (Winter 1997) (It's on the CD)
Radke, Lee and Sara Shriver, "Great Canes," Bead and Button. October, 2001
McCaw, Sandra, The McCaw Cane, Abba Dabba Productions
Glass Attic contains one of the most comprehensive list of links and information on geometric canes that you will find in the Internet.
© Martha Aleo, 2002