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People always
want to find new things to make or decorate with Polyclay. For some
time, I’ve
been on the lookout for an all-metal penknife, which could be covered.
I say
all-metal because, as we all know, penknives frequently have
side-plates on
their handles which can be made from all kinds of materials, most of
which
wouldn’t stand up to claybake heat. Something, which may not be widely
known,
is the fact that some knives have inserts of nylon or other plastics
inside
them to space the blades or reduce friction. So, if in doubt, the whole
penknife shouldn’t be exposed to claybake temperatures.
Recently, I’ve
found some knives that have stainless steel blades, several different
functional attachments and metal side-plates on their handles, which
can be
removed easily for clay covering purposes.
Instead
of
removing the side-plates, one could make templates, which are exactly
the same
size as the side-plates. Then the baked clay panels can be subsequently
attached
to the original handle plates without the latter having to be removed.
I suggest that
these templates be made from thick card or the kind of aluminium sheet
used to
make drinks cans. Metal templates have several advantages. The clay
will easily
detach from the metal, they are quite robust, both sides of the
template can be
clay covered and the template can be reused after removal of the baked
clay.
There is a
definite advantage in disassembling and sacrificing one knife in order
to use
the actual handle side-plates. The plates are slightly curved at their
edges
and if the clay is baked on these plates, it will conform exactly to
the
original shape. As the knives are mass produced, of course, all the
plates are
identical and so the clay formed and baked on one will naturally be a
perfect
fit for any other.
I suggest that
the template or side-plate is first covered with a layer of scrap clay
and
smoothed carefully. This will provide a good surface on which to apply
cane
slices, sheets of solid colour or whatever design with which you have
decided
to decorate the knife. Of course, any design can be used in the clay.
If one is
making a handle with a specific recipient in mind, one can incorporate
their
initials into the design. It’s also possible to stamp designs into the
clay,
which could reflect the recipients’ interests or hobbies or celebrate a
special
occasion.
Some examples
of designs I’ve made include quilt canes, fake ivory with a stamped
decoration
like scrimshaw and even my clay version of the semi-precious stone,
malachite.
When
you’re
happy with your designs, bake them at the usual temperature and time
for your
selected clay. When they’ve cooled thoroughly, remove them from the
template
and tidy up their edges with scissors or a blade – there may be small
spurs of
clay, which should be removed.
Next, the
metal surfaces of the side-plates of the knife to be decorated need to
be
abraded to allow good adhesion of the clay. I used emery paper or a
small file
to scratch the surfaces. Then apply a layer of Superglue to either the
metal or
clay and firmly press them together until the glue is fully cured.
Finally,
apply
a good varnish. It may be a good idea to apply several coats, gently
sanding
between coats, particularly if the knife is likely to be subjected to
rough
treatment.
The knives
that I’ve used and recommend are shown in the accompanying photographs.
I hope
I’ve
given you some ideas for yet another item that can be clay-covered and
sold or
given away to an unsuspecting public.
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