Volume 2, Issue 10
| Cane Theory
by byrd Tetzlaff
I often tell my students that they only need to be able to do three things with clay. They need to be able to make:
If you can do those three things, you can do anything with clay, from sculpting to caning.
| So what, my
students ask, is caning?
Cane: A log of clay with a pattern running all the way through it, so that if you cut off a slice of the cane, it (supposedly) will look like all the other slices.
For most newcomers to polymer clay, one of the most intimidating and at the same time intriguing techniques is making canes. It looks so complex and difficult. How do they get those designs so perfect and so tiny? (Reduction, my dear, reduction.)
| Well, there is
hope. Caning is not nearly as difficult as it may seem at
All canes are made up of only two things:
As for cane work itself, it boils down to three type of canes:
Now, I'm not going to give you directions on actually making the canes (although I will give you links to lessons). Instead, I will just talk about the theory of caning.
Theory of Caning
The single most important secret to making good canes is contrast. Always make a cane of very dark and very light colors. Subtle shades get lost if you reduce a cane to any degree.
When it comes to basic canes, there are really only three:
|The jelly roll or
| The bull's-eye
| The striped or
See? I'll bet you've seen these a hundred times when you look at canes. Only three basic canes, honest.
When you put these three canes together, they form complex canes. And while there are only three basic canes, there are hundreds of different types of complex canes.
To make different complex canes, you can manipulate the clay.
For instance, you can change the shape of the cane. Any basic cane can be made into a square, a diamond, a circle, or a triangle. I also often use the teardrop shape, which is merely the triangle with a round bottom.
One note of caution: it is usually rather difficult to shape a single slice into the shape you want. I always cut off part of the cane and form that segment into whatever shape I need. Then I cut off the slices to get the shape I want.
With very little practice, you can spot the basic canes inside the more complex canes.
| In this cane,
you can see the middle is just a simple jelly roll cane.
The outside is a striped cane formed into a triangle.
I have put a single triangle of the striped cane to one side so you can see it more clearly.
technique often used is cutting the cane lengthwise. You
can then use all or part of it in another cane.
Here the lengthwise cut on a jelly roll cane is used to decorate the outside of a bull's eye cane .
|Another example of cutting the cane is the ever-popular Chevron cane.|
| Complex canes
might also include the Skinner Blend. The Skinner Blend
(invented by Judith Skinner) comes as a sheet of clay.
In order to use it as a cane, you need to change it into one of the basic cane types.
| For instance:
| I personally
know of well over sixty variations on the Skinner Blend
canes. I'm sure there are more out there that I haven't
|Look what happens when you use the Skinner Blend to make basic and complex canes.|
| You need to add
only two more elements to this arsenal and you can make
any cane ever made.
Those two elements are:
Yes, these are the same two elements you used to make the canes in the first place.
Logs are often used to fill in a background or to keep other canes the correct distance from each other. The sheet or ribbon of clay is often used to outline. You can wrap anything at any point. You can also cut into a cane and add a sheet of clay any place you want to, in order to get lines or definition.
That's it. That's all there is to caning.
I suggest practicing by looking at canes and identifying different parts. Once you know what you are looking at, figuring out how to make canes becomes easier. After a while, caning won't be intimidating at all!
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